Social labyrynths

Attention Feast — Labyrinth H

This work stages a grotesque arena of competition where bodies no longer run, but consume. Numbered participants gather and devour identical golden units in a repetitive, almost ritualistic action. Their effort is intense, yet without direction—suggesting a system in which accumulation replaces purpose.

The scene unfolds as a contemporary labyrinth. Parallel lanes become corridors, and each gesture leads not forward, but back into the same cycle. What appears as movement is, in fact, enclosure.

The golden objects resemble food, yet function as a metaphor for content: endlessly reproduced, instantly consumed, and rapidly forgotten. Consumption becomes a form of capture.

The Minotaur is no longer a figure at the center of the maze. It has dissolved into the structure itself—silent, pervasive, inescapable. In this sense, the work resonates with the logic of the letter H: present, structuring, yet without voice. A force that separates, redirects, and organizes space without being seen.

A silent crowd observes from behind, sustaining the spectacle. Visibility becomes the condition of continuation.

This work reflects on the attention economy as a labyrinth without walls—where urgency is performed, meaning dissolves, and exit remains uncertain.